Tearoom, Club Chair

Tearoom, Club Chair

Designer Nick Ross

Product image not found

Product image not found

Tearoom, Club Chair

Tearoom, Club Chair

Designer Nick Ross

Color

Selected: Savanna - 202

Regular price €2.175
Regular price Sale price €2.175
Ready to ship in: 6 weeks
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SKU 9600002-002C0BZZ

Materials

Wood construction
Webbing
PU Foam
MDF

Dimensions

H: 78 cm, W: 70 cm, D: 58 cm, SH: 47cm

Tearoom Club Chair In creating his new, fully upholstered lounge chair, Nick Ross envisioned a form ideal for exclusive hotel, club or lounge environments – as well as private living spaces that indulge the senses and our need for comfortable retreats. Ross’ inspiration for the design came from Charles Rennie Mackintosh’s Willow Chair, created for the Willow Tearooms in Glasgow in 1904. Like many of Mackintosh’s furniture designs, the Willow Chair – while undoubtedly beautiful – is more about visual impact than comfort, its unusual dimensions making it more of a sculptural installation than a piece of usable furniture. Seeing untapped potential, Ross opted to evolve the essence of the Willow Chair to create a more fully resolved product.

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ABOUT THE DESIGNER

Nick Ross

Nick Ross (1986) is a Scottish-Swedish, Stockholm-based designer studied industrial design at Gray’s School of Art in Aberdeen, -and was awarded the Arts & Heritage prize for his graduation project, Stray, in 2008. Later on, he enrolling in fine arts Master’s program in interior architecture and furniture design at Konstfack in Stockholm, in 2013. Immediately after graduating, he began working as an assistant to Swedish designer Matti Klenell until establishing his own self-named, Stockholm-based studio in 2014. Ross is a designer with a penchant for scarce spaces that focus on the use of materials and light in a given expanse. His research centres on the complex repertoire of history, with a particular focus on ancient history, where he finds the factors with which to interpret the relationship between the user and contemporary design. Using storytelling as a pretext and applying a confidently critical approach, Nick is interested in investigating facts and happenings that have determined specific cultural balances. Every project comes from the desire to create ideal or real bridges between the present to that of the past. At first glance, Nick Ross appears to have a great eye for presentation. A closer look reveals a sensitivity to materials that makes bold moves appear delicate. He considers how historical interpretations alter our current perceptions of objects. The main interest lies in how guesswork or cultural ‘curation’ can create situations where we are influenced to think in certain ways and feel certain things.” According to the designer, “My work looks at the role of history and storytelling in how we perceive the world around us, by working with themes such as place, origin, and the role fiction plays in past and present societies.