Tearoom Lounge Chair, w. Swivel w. Loose Cover
Tearoom Lounge Chair, w. Swivel w. Loose Cover
Designer Nick Ross
Designer Nick Ross
SKU 71113-007551
Complete with:
Tearoom Lounge Chair
w. Swivel w. Loose Cover
Tearoom Lounge Chair
w. Swivel w. Loose Cover
A contemporary reinterpretation of Charles Rennie Mackintosh’s Willow Chair from the early 1900s, the Tearoom Lounge Chair balances femininity, modernity and functionality in one generously proportioned design. Its low, wide seat and embracing form with an upright back offer exceptional support while promoting relaxation. The washable loose cover in Logan cotton-wool blend bouclé in three colourways adds a new dimension to traditional fabrics, providing a structured look with a super-soft feel, as well as ease of maintenance and long-lasting appeal. The swivel with return function allows the chair to rotate 190° on its recessed plinth base, so you can effortlessly turn to face any direction.
Height
78 cm
Seat height
43 cm
Width
72,5 cm
Depth
70 cm
Specifications
Materials
No-sag springs, foam flex and upholstery
Shipping
Returns
We hope you love your purchase, but if not, you’re welcome to return it within 30 days of receiving your order. Please note that return shipping costs are not covered by Audo Copenhagen A/S.
Kindly note, our made-to-order items are specially crafted for you. Therefore all made-to-order items are non refundable and placed orders are considered final.

Logan Flint
Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.
1 2 3 4 5
Cal 117, C&M (BS5852-0/1)
45.000
5
4-5
Beige
66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester
Yarn Collective
Colors:
Logan Sand
Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.
1 2 3 4 5
Cal 117, C&M (BS5852-0/1)
45.000
5
4-5
Beige
66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester
Yarn Collective
Colors:
Logan Jasmine
Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.
1 2 3 4 5
Cal 117, C&M (BS5852-0/1)
45.000
5
4-5
Beige, Off-white
66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester
Yarn Collective
Colors:



MEET THE DESIGNER
Nick Ross
Nick Ross (1986) is a Scottish-Swedish, Stockholm-based designer studied industrial design at Gray’s School of Art in Aberdeen, -and was awarded the Arts & Heritage prize for his graduation project, Stray, in 2008. Later on, he enrolling in fine arts Master’s program in interior architecture and furniture design at Konstfack in Stockholm, in 2013. Immediately after graduating, he began working as an assistant to Swedish designer Matti Klenell until establishing his own self-named, Stockholm-based studio in 2014. Ross is a designer with a penchant for scarce spaces that focus on the use of materials and light in a given expanse. His research centres on the complex repertoire of history, with a particular focus on ancient history, where he finds the factors with which to interpret the relationship between the user and contemporary design. Using storytelling as a pretext and applying a confidently critical approach, Nick is interested in investigating facts and happenings that have determined specific cultural balances. Every project comes from the desire to create ideal or real bridges between the present to that of the past. At first glance, Nick Ross appears to have a great eye for presentation. A closer look reveals a sensitivity to materials that makes bold moves appear delicate. He considers how historical interpretations alter our current perceptions of objects. The main interest lies in how guesswork or cultural ‘curation’ can create situations where we are influenced to think in certain ways and feel certain things.” According to the designer, “My work looks at the role of history and storytelling in how we perceive the world around us, by working with themes such as place, origin, and the role fiction plays in past and present societies.

