Umanoff Side Table
Umanoff Side Table
Designer Umanoff
Umanoff Side Table
Umanoff Side Table
Designer Umanoff
SKU 71153-002062
Materials
Materials
Our wooden furniture is offered in two different types – natural wood veneers and solid wood – equal in beauty and with only minor differences in look and durability. Wood veneers are made from thin sheets of natural wood that are applied to a base of MDF, plywood or chipboard, giving the surface the appearance of solid wood. The final product is then varnished with polyurethane for a durable, easy-care finish and to prevent spills damaging the surface and underlying design. Wood veneer furniture uses less wood than its solid counterparts, making it a more affordable option. Furthermore, wood veneers are less prone to splintering and warping that can result from a solid wood design.
Dimensions
Dimensions
60: H: 60 cm, Ø: 43/40 cm
Additional resources
Additional resources
As relevant today as it was when first designed by Arthur Umanoff in the 1950s, the reissued Umanoff Side Table balances walnut and brass on its rounded top and tripod-inspired frame to create a table that challenges convention. Despite its decidedly small footprint, the versatile piece makes a big impact as a mid-century modern design for piles of books, mugs of coffee or flower-filled vases. The Umanoff Side Table is available in two sizes.
ABOUT THE DESIGNER
Arthur Umanoff
Arthur Umanoff (1923–1985) was an American-born industrial designer, noted for his contribution to the American midcentury modern movement. Upon graduating from New York’s prestigious Pratt Institute and the American School of Design in the beginning of the 1950s, Umanoff began collaborating with Post Modern Ltd, a New York design company that produced and sold modernist wrought iron and wood designs. Throughout the 1960s, he worked closely with the furniture manufacturer Shaver Howard, who put many of his furniture designs into production. He also designed clocks for Howard Miller. Arthur Umanoff believed that design should not only be beautifully constructed and functional, but that it should also be attainable. Using natural materials and new methods to reimagine traditional furniture pieces, he created versatile designs for the home that were celebrated for their quality as for their simplified, functional forms and staying power. Reflecting warmth and practicality, his designs were often imagined in wrought iron, rattan, walnut and birch, imbued with functional details yet retaining a sense of natural elegance thanks to their slender, tapered lines.
