Oda Lounge Chair
Oda Lounge Chair
Designer Arnold Madsen
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Oda Lounge Chair
Oda Lounge Chair
Designer Arnold Madsen
SKU 71165-004682
Complete with:
Oda Lounge Chair
Oda Lounge Chair
Originally dubbed Model 9, the Oda Chair was an ambitious design from the very beginning. Created by Arnold Madsen in around 1956, the aesthetic reinterpretation of an armchair has a complex horseshoe construction with an integrated headrest and beautifully incorporated armrests in wood. Offering comfortable support, the embracing design was initially – and mistakenly – attributed to Nanna Ditzel. In 2020 it was rightfully credited to Madsen. Constructed according to a vintage version as there are no drawings of the original design, the Oda Chair profiles a sublime level of craftsmanship, evident in the intricacy of its upholstery. Available with legs in natural oak or walnut.
Height
93 cm
Seat height
39 cm
Arm rest height
57 cm
Width
87 cm
Depth
100 cm
Materials
Oak or Walnut, Steel, Solid beech, plywood, cold foam, linen, quilt foam
Shipping
Returns
We hope you love your purchase, but if not, you’re welcome to return it within 30 days of receiving your order. Please note that return shipping costs are not covered by Audo Copenhagen A/S.
Kindly note, our made-to-order items are specially crafted for you. Therefore all made-to-order items are non refundable and placed orders are considered final.
Hallingdal 65 0600
Originally designed by Nanna Ditzel in 1965, Hallingdal 65 is an exceptionally durable upholstery fabric that features a harmonious blend of wool and viscose, both dyed before spinning to accentuate their texture. The wool contributes superior durability and flexibility, while the viscose enhances the colour with brilliance and depth.
1 2 3 4 5
C&M (BS5852-0/1), Cal 117, Crib 5 (BS5852-5)
100.000
3-4
7
Red
70% New Wool, 30% Viscose
Kvadrat
Colors:
Materials:
Hallingdal 65 0200
Originally designed by Nanna Ditzel in 1965, Hallingdal 65 is an exceptionally durable upholstery fabric that features a harmonious blend of wool and viscose, both dyed before spinning to accentuate their texture. The wool contributes superior durability and flexibility, while the viscose enhances the colour with brilliance and depth.
1 2 3 4 5
C&M (BS5852-0/1), Cal 117, Crib 5 (BS5852-5)
100.000
3-4
7
Beige
70% New Wool, 30% Viscose
Kvadrat
Colors:
Materials:
Hallingdal 65 0110
Originally designed by Nanna Ditzel in 1965, Hallingdal 65 is an exceptionally durable upholstery fabric that features a harmonious blend of wool and viscose, both dyed before spinning to accentuate their texture. The wool contributes superior durability and flexibility, while the viscose enhances the colour with brilliance and depth.
1 2 3 4 5
C&M (BS5852-0/1), Cal 117, Crib 5 (BS5852-5)
100.000
3-4
7
Grey
70% New Wool, 30% Viscose
Kvadrat
Colors:
Materials:
Walnut
Please note: as each sample is crafted from natural wood, variations in colour and grain are to be expected. An oil finish enhances the characteristics of solid walnut, bringing out the depth and warmth of the wood while helping to repel moisture and dust to contribute to the longevity of the furniture. A reapplication of oil can often remove minor imperfections to rejuvenate the appearance.
Brown
Walnut, Solid
Colors:
Materials:
Natural Oak
Please note: as each sample is crafted from natural wood, variations in colour and grain are to be expected.
An oil finish enhances the characteristics of solid oak, bringing out the depth and warmth of the wood while helping to repel moisture and dust to contribute to the longevity of the furniture. A reapplication of oil can often remove minor imperfections to rejuvenate the appearance.
Beige, Brown
Oak, Solid
Colors:
Materials:
MEET THE DESIGNER
Arnold Madsen
Arnold Madsen (1907–1989) remains an underrecognized figure of the Danish Modern era, despite creating iconic furniture. Born in North Jutland, he worked as a sailor before emigrating to Canada, where he lived as a cowboy and rodeo rider. After returning to Denmark, he trained as an upholsterer and, in 1945, co-founded Madsen & Schubell with Henry Schubell, producing successful designs until the mid-1960s. Unlike many peers, Madsen wasn’t formally trained in design or architecture. Quiet but determined, he pioneered experimental furniture focused on round forms and elegant, comfortable construction. His Oda Chair showcased innovation with a welded steel frame and bent plywood shell. He also designed the Clam Chair in 1944, often misattributed to Philip Arctander. Similarly, the Oda Chair was long credited to Nanna Ditzel, but both are now recognized as Madsen’s work.
