Knitting Lounge Chair, Leather
Knitting Lounge Chair, Leather
Designer Ib Kofod-Larsen
Designer Ib Kofod-Larsen
SKU 71058-002409
Complete with:
Knitting Lounge Chair
Leather
Knitting Lounge Chair
Leather
The Knitting Chair by Ib Kofod-Larsen, first launched as a limited edition in 1951, makes a triumphant return to the world of modern Danish design under Audo’s concept of “Modernism Reimagined”. This is the brand’s first foray into classic furniture. The chair’s sense of proportion and unparalleled quality makes it a natural choice to bring into contemporary interiors. The playful nature of the Knitting Chair serves to highlight its thoughtful design. Named for the elbow cut-outs that allow maximum comfort while knitting (or reading), the chair is clearly the work of a master designer.
Height
90,6 cm
Width
71,3 cm
Depth
66,9 cm
Seat height
30 cm
11kg cm
Materials
Care & cleaning:
As a natural material, leather requires looking after. If you care for the leather in the right way, it will become even more beautiful over time. Here are a few tips: Over time if you see the need for cleaning, use a vacuum cleaner once or twice a month with a soft brush to remove any dust. Once or twice a year for thorough cleaning, use the foam from soap flakes stirred in warm water. Apply the foam with a dry soft cloth, minimising any contact with water. Avoid bar soap, saddle soap, leather cleaners, household detergents or chemical products. Protect from direct sunlight, excessive heat and sharp objects.
Shipping
Returns
We hope you love your purchase, but if not, you’re welcome to return it within 30 days of receiving your order. Please note that return shipping costs are not covered by Audo Copenhagen A/S.
Kindly note, our made-to-order items are specially crafted for you. Therefore all made-to-order items are non refundable and placed orders are considered final.


Dakar 0311
This chrome- and vacuum-tanned, full-grain aniline leather has a waxed surface for an exceptionally soft touch and a glossy finish that highlights its natural texture. Becoming more comfortable over time, it provides a supportive and cosy seating experience and develops a distinctive patina that adds character and uniqueness to each piece of furniture.
1 2 3 4 5
3
Brown, Grey
100 % Aniline Leather
0.9 - 1.1 MM
Nevotex
Colors:

Dakar 0842
This chrome- and vacuum-tanned, full-grain aniline leather has a waxed surface for an exceptionally soft touch and a glossy finish that highlights its natural texture. Becoming more comfortable over time, it provides a supportive and cosy seating experience and develops a distinctive patina that adds character and uniqueness to each piece of furniture.
1 2 3 4 5
CAL 117
3
Black
100% Aniline Leather
0.9 - 1.1 MM
Nevotex
Colors:

Dunes 21000
An exclusive aniline leather characterised by its natural, unrefined appearance, Dunes® achieves its luxurious velvety touch through sanding and a special leather oil application. Its matte finish exudes raw elegance, accentuated by unique natural markings that lend individuality to each hide. Patinating through usage and exposure to light, Dunes becomes shinier and smoother over time.
1 2 3 4 5
Cal 117, C&M (BS5852-0/1)
3
Brown
100% Aniline Leather
1.1-1.3 MM
Sørensen Leather
Colors:
MEET THE DESIGNER
Ib Kofod-Larsen
Ib Kofod-Larsen (1921-2003) was a key figure in Danish Modern design, though he remained in the shadow of icons like Wegner and Jacobsen. Much of his work was created for international markets, making him better known abroad than in Denmark. His designs were sophisticated, organic, and well-proportioned, with a purist’s attention to detail. Though he saw himself as an artisan rather than an academic, his work had a poetic, artistic quality. He was deeply involved in every step of production, blending innovation with craftsmanship. Kofod-Larsen had a keen understanding of materials, often using teak, palisander, and leather to create furniture that felt as good as it looked. His chairs, including The Penguin, The Seal, and the Elizabeth Lounge Chair, prioritized comfort and elegance, securing his legacy as one of Danish design’s most underrated yet brilliant minds.

