Knitting Lounge Chair, Textile
Knitting Lounge Chair, Textile
Designer Ib Kofod-Larsen
Designer Ib Kofod-Larsen
SKU 71058-002407
Complete with:
Knitting Lounge Chair
Textile
Knitting Lounge Chair
Textile
The Knitting Chair by Ib Kofod-Larsen, first launched as a limited edition in 1951, makes a triumphant return to the world of modern Danish design under Audo’s concept of “Modernism Reimagined”. This is the brand’s first foray into classic furniture. The chair’s sense of proportion and unparalleled quality makes it a natural choice to bring into contemporary interiors. The playful nature of the Knitting Chair serves to highlight its thoughtful design. Named for the elbow cut-outs that allow maximum comfort while knitting (or reading), the chair is clearly the work of a master designer.
Height
90,6 cm
Width
71,3 cm
Depth
66,9 cm
Seat height
30 cm
Materials
Shipping
Returns
We hope you love your purchase, but if not, you’re welcome to return it within 30 days of receiving your order. Please note that return shipping costs are not covered by Audo Copenhagen A/S.
Kindly note, our made-to-order items are specially crafted for you. Therefore all made-to-order items are non refundable and placed orders are considered final.

Logan Jasmine
Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.
Cal 117, C&M (BS5852-0/1)
45.000
5
4-5
Beige, Off-white
66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester
Yarn Collective
Colors:
Materials:

Logan Flint
Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.
Cal 117, C&M (BS5852-0/1)
45.000
5
4-5
Beige
66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester
Yarn Collective
Colors:
Materials:

Walnut
Please note: as each sample is crafted from natural wood, variations in colour and grain are to be expected. Dark-stained oak with an oil finish enhances the colour, wood grain and finish of furniture, while allowing the inherent beauty of oak to shine through. The darker tones achieved through the staining process give a warm and inviting look while the oil finish protects against dust and damage.
Brown
Walnut, Solid
Colors:
Materials:

Dark Stained Oak
Please note: as each sample is crafted from natural wood, variations in colour and grain are to be expected.
Dark-stained oak with a lacquered finish enhances the colour, wood grain and finish of furniture, while allowing the inherent beauty of oak to shine through. The darker tones achieved through the staining process give a warm and inviting look while the lacquered finish provides a smooth and glossy surface, adding a layer of protection against wear and moisture.
Brown
Oak, Solid
Colors:
Materials:

Natural Oak
Please note: as each sample is crafted from natural wood, variations in colour and grain are to be expected.
A lacquered finish enhances the characteristics of solid oak, bringing out the depth and warmth of the wood with its smooth, lustrous surface, while helping to repel moisture and dust to contribute to the longevity of the furniture.
Beige, Brown
Oak, Solid
Colors:
Materials:
MEET THE DESIGNER
Ib Kofod-Larsen
Ib Kofod-Larsen (1921-2003) was a key figure in Danish Modern design, though he remained in the shadow of icons like Wegner and Jacobsen. Much of his work was created for international markets, making him better known abroad than in Denmark. His designs were sophisticated, organic, and well-proportioned, with a purist’s attention to detail. Though he saw himself as an artisan rather than an academic, his work had a poetic, artistic quality. He was deeply involved in every step of production, blending innovation with craftsmanship. Kofod-Larsen had a keen understanding of materials, often using teak, palisander, and leather to create furniture that felt as good as it looked. His chairs, including The Penguin, The Seal, and the Elizabeth Lounge Chair, prioritized comfort and elegance, securing his legacy as one of Danish design’s most underrated yet brilliant minds.

