Tearoom Sofa

Timeless in its expression and execution, the Tearoom Collection is well-suited to both period and contemporary environments. Like the Tearoom Club Chair, the Tearoom Lounge Chair and Tearoom Sofa radiate elegant yet strict femininity. Their embracing form, while alluring, stops short of being overly casual. As such, the furniture maintains a clear visual connection to the sculptural 1904 Willow Chair that originally sparked the designer’s imagination.

Dimensions

Specifications

Additional Resources

Shipping & Returns

Dimensions

Height

78 cm

Width

190 cm

Depth

70 cm

Seat height

45 cm

Specifications

Materials

Plywood
Hardboard
PU Foam construction
Webbing/Belts
No Sag Springs
Foam Flex

Additional Resources

Shipping & Returns

Shipping

Our preferred partners for shipments are GLS and LGT. GLS for package deliveries and LGT for furniture and larger items.

We process your order as quickly as possible. Orders on stocked items are fulfilled at our warehouse in Denmark within 1-3 business days. Larger products, Made-to-order and pre-orders will ship according to the estimated ship date stated on the product page.

We offer free shipping on order over €150.

For further shipping information, click 'Read More' below.

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Returns

We hope you love your purchase, but if not, you’re welcome to return it within 30 days of receiving your order. Please note that return shipping costs are not covered by Audo Copenhagen A/S.

Kindly note, our made-to-order items are specially crafted for you. Therefore all made-to-order items are non refundable and placed orders are considered final.

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Audo Bouclé 02

With its distinctive appearance, Audo Bouclé is characterised by its looped yarns that create a textured, three-dimensional surface. Soft, warm and durable, it is available in a range of beautiful muted colours.

CAL 117

60.000

4-5

5-6

Beige

51% Polyacrylic, 31% Viscose, 18% Polyester

Audo

Colors:

Audo Bouclé, 02 Audo Bouclé, 06 Logan, 03 Flint Logan, 02 Sand Logan, 01 Jasmine Savanna, 202
Order other samples

Audo Bouclé 06

With its distinctive appearance, Audo Bouclé is characterised by its looped yarns that create a textured, three-dimensional surface. Soft, warm and durable, it is available in a range of beautiful muted colours.

Cal 117

60.000

4-5

5-6

Yellow

51% Polyacrylic, 31% Viscose, 18% Polyester

Audo

Colors:

Audo Bouclé, 02 Audo Bouclé, 06 Logan, 03 Flint Logan, 02 Sand Logan, 01 Jasmine Savanna, 202
Order other samples

Logan Flint

Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.

Cal 117, C&M (BS5852-0/1)

45.000

5

4-5

Beige

66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester

Yarn Collective

Colors:

Audo Bouclé, 02 Audo Bouclé, 06 Logan, 03 Flint Logan, 02 Sand Logan, 01 Jasmine Savanna, 202
Order other samples

Logan Sand

Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.

Cal 117, C&M (BS5852-0/1)

45.000

5

4-5

Beige

66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester

Yarn Collective

Colors:

Audo Bouclé, 02 Audo Bouclé, 06 Logan, 03 Flint Logan, 02 Sand Logan, 01 Jasmine Savanna, 202
Order other samples

Logan Jasmine

Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.

Cal 117, C&M (BS5852-0/1)

45.000

5

4-5

Beige, Off-white

66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester

Yarn Collective

Colors:

Audo Bouclé, 02 Audo Bouclé, 06 Logan, 03 Flint Logan, 02 Sand Logan, 01 Jasmine Savanna, 202
Order other samples

Savanna 202

Savanna combines intertwining yarns and materials to provide the unique sense of depth and richness that give it its distinct character. Shiny, matte and bouclé yarns create an elegant and visually compelling surface with a rich and irregular texture, revealing a captivating interplay of details when viewed up close.

1 2 3 4 5

Cal 117

45.000

3

6-7

Beige

43% Viscose, 17% Polyacrylic, 15% New wool, 9% Cotton, 8% Polyester, 8% Linen

Kvadrat

Colors:

Audo Bouclé, 02 Audo Bouclé, 06 Logan, 03 Flint Logan, 02 Sand Logan, 01 Jasmine Savanna, 202
Order other samples

MEET THE DESIGNER

Nick Ross

Nick Ross (1986) is a Scottish-Swedish, Stockholm-based designer studied industrial design at Gray’s School of Art in Aberdeen, -and was awarded the Arts & Heritage prize for his graduation project, Stray, in 2008. Later on, he enrolling in fine arts Master’s program in interior architecture and furniture design at Konstfack in Stockholm, in 2013. Immediately after graduating, he began working as an assistant to Swedish designer Matti Klenell until establishing his own self-named, Stockholm-based studio in 2014. Ross is a designer with a penchant for scarce spaces that focus on the use of materials and light in a given expanse. His research centres on the complex repertoire of history, with a particular focus on ancient history, where he finds the factors with which to interpret the relationship between the user and contemporary design. Using storytelling as a pretext and applying a confidently critical approach, Nick is interested in investigating facts and happenings that have determined specific cultural balances. Every project comes from the desire to create ideal or real bridges between the present to that of the past. At first glance, Nick Ross appears to have a great eye for presentation. A closer look reveals a sensitivity to materials that makes bold moves appear delicate. He considers how historical interpretations alter our current perceptions of objects. The main interest lies in how guesswork or cultural ‘curation’ can create situations where we are influenced to think in certain ways and feel certain things.” According to the designer, “My work looks at the role of history and storytelling in how we perceive the world around us, by working with themes such as place, origin, and the role fiction plays in past and present societies.

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